Posts Tagged ‘artist’s residency’

Call for Submissions: “Phases”

Wednesday, August 24th, 2016

Our Fall residency call for submissions is here!
This year, our theme is “Phases,” and runs from October 15th to the 23rd. We invite artists to explore progress and metamorphosis in nature, and how we understand it.

Applications are due September 23rd. You can find the link to the form right here.
We can’t wait to hear about your projects!

Sarah Carlson: Perennial Threshold

Monday, April 11th, 2016

Over March Break, we and our partners at Algonquin Provincial Park were fortunate enough to host Sarah Carlson for the Perennial Threshold spring residency. She sent us her description of her time in the park, along with a few pictures of her experience.
Enjoy! 

The wilderness has always brought me great clarity and perspective. Along with a heightened awareness of my surroundings comes increased understanding both of myself as a maker and as a strand in the web of life. Hiking, paddling and climbing are frequent jumping-off points for the conceptual development of my work. Since the diversity of the landscape propels my investigation into human-environment exchanges, I immediately seized the opportunity of being the Perennial Threshold artist in residence at Algonquin Provincial Park.

Going into the Algonquin Art Centre residency, my plan was to cultivate a connection to place and to work on large-scale paintings in preparation for my April solo exhibition in Toronto entitled ReWILDING. This exhibition positions the Canadian Landscape as a site for questioning and (re)imagining relationships between humans and the natural world.

The beautiful yet unpredictable spring weather meant for multiple types of footwear, from snowshoes to traction aids to rain boots.  Hikes and plein air sketches were followed by hours in the studio/cabin translating my experiences onto canvas. I was listening and learning from the trickling creeks, rustling conifers and forest critters. It’s hard not to have multiple “Snow White” moments with birds landing on you and squirrels climbing on you while you’re taking a photograph or painting. I also had the privilege of learning from park naturalists and biologists. These conversations and experiences continue to resonate with me and I am excited for the new directions this residency has inspired!

It was amazing to watch Sarah at work. Her time was so productive she was able to finish some large-scale pieces, which are now on display as part of the ReWilding exhibit at Toronto’s Graven Feather gallery. For a special treat, we were fortunate enough to attend the opening last Friday!

If you’re in the Toronto area before May 1st and cruising around Queen West, we definitely recommend stopping in for the exhibit. These huge canvasses are striking in person, and you get pulled into her otherworldly colours the same way you’re coaxed into the landscape when you’re out in the wild.  Find all the information at Graven Feather’s website!
In the meantime, this was such a successful partnership between Algonquin, Sarah, and the Art Centre that we’re getting more and more excited for our next round of residencies. We can’t wait to get our next one under way, so stay posted!

Perennial Threshold Artist in Residence!

Wednesday, February 24th, 2016

We’re so excited to announce that we’ve selected an artist for our Spring 2016 residency, Perennial Threshold.! Friends of Algonquin Art Centre and lovers of all things art and nature… meet Sarah Carlson!

Sarah’s an artist from the GTA with a BFA from York University and a close relationship with the outdoors. She’s explored the backcountry in every way you can imagine, from cycling and paddling to hiking and scaling rock walls!
Her work straddles a number of different media including painting, printmaking, repurposed objects, and collage, while combining seemingly disparate techniques like representative portraiture and geometric abstraction. Just now she’s fascinated by mystical encounters between the realms of the human and the wild. Her work treats themes of growth, decay, symbiosis, and regeneration. You can see why she’s a perfect fit for Perennial Threshold!
Just take a look at this composite piece, “Canmore Caribou.”

From March 11th to the 21st, our partners at Algonquin Provincial Park have provided Sarah lodgings at their Clarke Lake cabin. She’ll be able to use that as a base of operations for her explorations, art-making, and the much needed time in the wild that every naturist-creator needs.
Sarah will also be leading activities and demonstrations at the Visitor Centre at various points throughout the week and they’re open to the public. So stay posted for exact dates and times.
In the meantime, congratulations to Sarah. We can’t wait to see what you get up to in this beautiful part of Ontario!

 

A Call for Submissions for the New Season

Monday, November 30th, 2015

Everything’s calming down for the winter up here. We’ve secured our little building in the heart of Algonquin, safe and warm for the season, and last year’s pieces have been shipped off to new homes. It’s a wistful feeling, closing everything down. But it’s also an optimistic one. We’re reflecting on the last year and looking forward to the next one, our new show, and all the things we’re passionate about accomplishing as we move forward.


“Spring Breakup,” David Lidbetter

With these changes and transitions in mind, as well as our new theme of Metamorphosis, we’ve got an announcement we’d like to make. In partnership with Algonquin Provincial Park, we’re sponsoring a spring residency. We’re calling it Perennial Threshold, and we’re looking for artists that want to address themes of continual transitions, be they seasonal, ecological, cultural, environmental, or anything else that might inspire them.
This residency includes lodging at Algonquin’s Clarke Lake Lodge from March 11th to 21st, the chance to spend unbroken time focusing on artistic practice in the park, and arts-outreach opportunities at the Visitor Centre. You can find all of the details and how to apply in the call for submissions: Perennial Threshold Call for Submissions.

We’ll be accepting applications until February 1st. Send your submissions or inquiries to alex@algonquinartcentre.com.
We can’t wait to hear your thoughts!

NB: If Firefox is your default browser, you may have trouble downloading the application form. We apologize for the inconvenience! In the meantime, please use Microsoft Edge, Google Chrome, or Safari.

Off-Season Artists: Daniel St-Amant

Sunday, October 11th, 2015

It’s been a great season, and we’re starting to wind down for the end of fall. We can’t thank you enough for how amazing 2015′s been!
Just because our doors are closing for winter, that doesn’t mean our passion for showcasing Canadian art is any less. So over the next several months we’ll be posting quick interviews with our artists. It’s a chance for you to explore their personalities and their creative identities a little deeper. Who knows? If you get to know the artist in the wild, you might fall even harder for the work on the wall.

To start us off, you might remember that we announced our Golden Encore Artist’s Residency in partnership with Algonquin Park a few weeks ago. Daniel St-Amant, a  modern surface wildlife painter, will be housed at one of the Park’s lodges form October 14th-21st, giving him some time in the wilderness to work on his craft. He’ll also be conducting artist-demonstrations at both the Algonquin Art Centre and Algonquin Park’s Visitor Centre over the weekend. It’s going to be a great time, and you can find all the information here.
Daniel hails originally from Quebec, went to school in Halifax, and now lives and works in Toronto. Aside from his artistic practice he works in visual effects for film. He’s also just a lovely guy! So without further ado, here’s a bit of our chat with Daniel…

Daniel St-Amant

As someone from French Canada who lived a while in the Maritimes and now operates out of Toronto, you’ve got a lot of Canada in your personal history. What have you taken away from those experiences?
The biggest thing apart from the friendships and life experiences would be the landscapes . It is quite remarkable to think about the diversity you see in the landscapes from the Canadian shield through to the Laurentians and southern Quebec all the way up the east coast.

Your artistic practice is very unique, and also very specific. How’d you arrive at it? Any particular influences?
Throughout my life, and artistic career,  I’ve been privileged to have been surrounded by many talented individuals that both inspired and influenced me.  Teachers like Gerald Ferguson at NSCAD and lengthy conversations with fellow artists helped sculpt my art practice. But I feel my upbringing in rural Quebec particularly influenced me and my body of art as my love and respect of nature ultimately led me to my subject matter.

“Timber Land” Daniel St-Amant

You also work in visual effects for film (which is SUPER-COOL, by the way). How does that line of work influence your painting?
My work in the VFX industry has influenced my art practice quite a bit in terms of my initial sketching techniques and tools that I adopt. I use a lot of digital reference and photography to compose my images in addition to some of the techniques we use in film such as integration, colour adjustments and composition prior to the actual production of my art.

“Red Shoulder 2″ by Daniel St-Amant

It’s great to hear a little bit about the Canadiana that makes Daniel tick, and we can’t wait to get to know him better when he arrives this week. Stay posted for updates and media from the residency, and more interviews as we progress!

Manon Labrosse: Gathering Inspiration

Wednesday, September 23rd, 2015

Here’s the next update from our Summer 2015 Creative Residency! This one’s from our visual artist, Manon Labrosse. If you take a look at Manon’s previous work,  you’ll be able to see a current running through her painting that seems to manifest in fascinations with objects within–but set against–the wooded environment.
Read what Manon has to say about her experience and the exciting project she’ll be working on! 

From September 2 to 6, Rhiannon and I had the opportunity to spend some time at the Algonquin Wildlife Research station. Organized through the Algonquin Art Centre, this residency allowed us to experience the park like no one else! Because the station is not open to just anyone in the park, it makes it a unique location for an artist and writer to get inspired by the landscape.

 
The classic Algonquin lake-view

For four days, we were able to get to know the station, the park and the wonderful staff at the research station. We went on guided canoe trips on the surrounding lakes and got a glimpse at the local wildlife. We were also able to enjoy some of the trails around the station, as well as some of the interpretive trails in the park, such as the Big Pine trail and the Centennial Ridges trail.


The view from the Centennial Ridges Trail

And this is how our project will come together. The purpose of this residency was to accumulate experiences in nature. Our job now will be to interpret those experiences through our respective practices. For my part, I was able to make some journal entries and some quick sketches, along with about 280 photos, which will all be used towards the composition of a large format landscape painting of 7 feet by 11 feet.

In the meantime there will also be a series of small studies of all the various colours, textures and shapes, both natural and man-made, that we found in the park’s landscape. If you look at the pictures, you notice neon colours within the green natural landscape, and these come from ribbons and rope, but also from fungus and moss.

It was important for us to take our time and notice the small details in the landscape, to start a dialogue, take notes and a lot of pictures, since the project will come together post residency. We are very excited about the project and will follow up with the Algonquin Art Centre and the Algonquin Wildlife Research Station as it progresses, so stay tuned!

Algonquin Art Centre’s 2015 Creative Residencies!

Wednesday, July 22nd, 2015

We’re so excited to announce that applications for this season’s Creative Residencies are now open!

These residencies give one writer and one visual artist the chance to spend Sept. 2nd to Sept 6th at one of the Algonquin Wildlife Research Station’s lodges in the midst of the provincial park, surrounded by working naturalists. We’ll take care of the living-expenses and transport to and from Huntsville. We just want to give two creators the chance to benefit from the Algonquin landscape and work on whatever project they feel would benefit from that environment. Apply solo or as a member of a partnership between a writer and visual artist. A quick note: if you apply in partnership, both applicants must complete forms and submit them individually.

You can find more details in the application-forms we’ve attached. Submit soon, and we’ll see you in Algonquin!

Submission Deadline: August 12th, 2015

Writer’s Residency, 2015

Visual Artist’s Residency, 2015

Note: our current platform has difficulty interacting with Firefox. If at all possible, please download these files using Chrome, Safari, or Internet Explorer. Otherwise, you can email alex@algonquinartcentre.com directly for digital copies of the application-forms. We apologize for the inconvenience and thank you for your patience!


Algonquin Art Centre - Gallery in the Heart of Algonquin Park

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